The Book of Form and Emptiness
By Ruth Ozeki
Winner of the Women’s Prize for Fiction 2022
From the Booker Prize-shortlisted author of A Tale for the Time Being, a brilliantly inventive new novel about loss, growing up and our relationship with things.
In the beginning
A book must start somewhere. One brave letter must volunteer to go first, laying itself on the line in an act of faith, from which a word takes heart and follows, drawing a sentence into its wake…
After the death of his father, thirteen-year-old Benny Oh begins to hear voices, voices that belong to the things in his house — a sneaker, a broken Christmas ornament, a piece of wilted lettuce.
Benny doesn’t understand what the things are saying, but he senses their emotional tone; some are pleasant, a gentle hum or coo, others are snide or angry and full of pain.
When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous. Seeking refuge in the silence of a large public library, where objects are well-behaved and know to speak in whispers, Benny discovers a strange new world.
He learns to ask important questions and is challenged to find his own voice amongst the many.
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With its blend of sympathetic characters, riveting plot, and vibrant engagement with everything from jazz, to climate change, to our attachment to material possessions, The Book of Form and Emptiness is classic Ruth Ozeki — bold, wise, poignant, playful, humane and heartbreaking.
WINNER OF THE WOMEN’S PRIZE FOR FICTION
Winner of the BC and Yukon Book Prize
Winner of the MASSACHUSETTS BOOK AWARD
Winner OF THE JULIA WARD HOWE PRIZE FOR FICTION, boston authors club
About Ruth
Ruth Ozeki is a novelist, filmmaker, and Zen Buddhist priest. She is the award-winning author of three novels, My Year of Meats, All Over Creation, and A Tale for the Time Being, which was a finalist for the 2013 Booker Prize and has been translated into 28 languages.
Her nonfiction work includes a memoir, The Face: A Time Code, and the documentary film, Halving the Bones.
She is affiliated with the Everyday Zen Foundation and and lives in Western Massachusetts, where she teaches creative writing at Smith College and is the Grace Jarcho Ross 1933 Professor of Humanities.